For years, the concept of a type family blending modernist aesthetics with pre-war Warsaw's multiscript essence simmered in my mind. The genesis of Polin Sans ensued from this intricate amalgamation. Delving into geometric Cyrillic variants, I stumbled upon "Towards an open layout: A letter to Volodya Yefimov," which sparked a revelation. Circular forms, inherent in Bulgarian Cyrillic, seamlessly integrated into the classical version without disrupting legibility.
Simultaneously, my immersion in typoteka.pl unveiled the mesmerizing Hebrew typeface, Jaffa, akin to Alphabet "a.r." Ben Nathan's involvement from Israel, spearheading the Hebrew script, further enriched our endeavor. The vision expanded to encompass Greek and Vietnamese, culminating in Polin Sans—a historical odyssey through Polish modernism's nuances, crafted by
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